Canyonlands
Barry E. Kopetz
Canyonlands is specific place in the incredibly beautiful state of Utah,
and its images and sounds have made a lasting impression upon the composer.
From the unique colors of the environment to the endless, twisting canyons
scattered throughout its sprawling landscape, Canyonlands is a memorable
place to all who visit it.
The music attempts to capture the majesty and beauty of this wonderful
place. The opening ostinato in the bass line represents the feelings of
a person approaching Canyonlands at daybreak. It should be played in a
manner that captures the nervous energy one feels as they sense a great
thing about to happen, in this case, daybreak!
Once the main theme begins at number 8, the style of the music should
be one of majestic grandeur. It must be breathtaking, as one would feel
viewing a spectacular landscape for the very first time. A marcato style
of articulation is in order here. At 15, emphasize the soaring quality
of the counter melody in the flute, oboe and bells, allowing the music
to rise above the main theme. Do not attempt to soften the dissonance created
by the appearance of the concert E natural and B natural at measure 25.
This should continue to create moments of increasing tension until its
resolution at the Moderato.
At measure 31, the music must be performed in an expressive character.
Each of us has witnessed a beautiful sunset overlooking a beautiful piece
of scenery at one time or other during our lifetime. This moment in the
music reflects just such a moment watching the sun set at Canyonlands.
Take great care to ensure that the melody is allowed to ebb and flow in
the clarinets and horns, unimpeded by the accompaniment parts. The simple
but effective flute entrance at measure 35 should sound clearly and expressively,
much as a single rising star affects a deepening nighttime sky. At 39,
the appearance of the lower countermelody must be brought forth in balanced,
rich fashion.
The return of the main them of the da capo reminds us that the natural
cycle of nature continues in continuous flow. The tempo should match the
first presentation, and the style should be even more energetic, reflected
in the style of the articulation. Take care to highlight the primary motive
in the final two bars to reflect the importance of the final statement
of Canyonlands!
